By Robert Fisk.
“Even in this early stage of the Second World War, ethnic minority British citizens did show enormous courage – one of the bravest ARP men during the Blitz was black, although we have yet to see a film about him.
… Much has been made, inevitably in The Guardian, of Nolan’s failure to acknowledge the presence of Muslim troops at Dunkirk – Muslim Indian Commonwealth soldiers (from what is now Pakistan) and, of course, Algerian and Moroccan regiments in the French army.
Atonement did contain a black British soldier in the retreat to Dunkirk although no photographs appear to exist of black UK troops in 1940 France – and Leslie Norman’s much older Dunkirk movie, which premiered two years after I first visited the beaches, contained no black soldiers – John Mills’s companions in the retreat to Dunkirk were all white – although in the film French civilians risk their lives to help save British troops.
Of course, even in this early stage of the Second World War, ethnic minority British citizens did show enormous courage – one of the bravest ARP men during the Blitz was black, although we have yet to see a film about him.
… not only do the victors write history. Filmmakers write the “history” too, Pedron wrote. He is right. The true story of the Algerian and Moroccan units has still to be filmed. It would make a terrifying drama. The Germans threw raw meat into the prison cages of Algerian and African troops – to show cinemagoers how they fought for the food and tore it to pieces like animals. Algerians were massacred by the Nazis on racial grounds – an act which strongly supports the suspicion of some intellectual Arabs today: that Hitler, after destroying the Jews of Europe and the Middle East, would have next turned his exterminating fury against their Semitic Arab brothers.